The yellow house. The iconic symbolism of a bronzed ouroboros. A blur of bloody mayhem seen as through the eyes of a killer. The terrifying silhouette of a devil looming atop a darkened staircase. The stark red of a Jeep Cherokee as it winds its way towards a golden sunset.

These are just a few snapshots from the stunning visual canvas of Millennium. As Chris Carter described in a recent interview with John Kenneth Muir, the very idea of Frank Black’s yellow house emerged from “the bigger concept of a guy who was trying to paint away the darkness”. And now it is your opportunity to envisage the world of Millennium and to paint it afresh.



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